How the Huston and Zinnemann cases protect films from colourisation in Europe, and what they mean for AI colourisation and restoration today.
Blog Posts
This announcement dates from January 2026. How it went in Berlin: our notes from the Berlinale EFM 2026. DANDI.media will be at Berlinale from February 13-16, 2026. And this time we’re not just going to …
Copyright law in Italy and Europe: framework, moral rights, DSM, AI, photography reform, music, film. 2026 comprehensive guide for international clients.
Legal case study of "The New Year That Never Came": Romania-Serbia co-production, chain of title, music clearances, tax credit compliance.
Complete guide to Italy's film co-production treaties: 39 bilateral treaties, European Convention framework, official status requirements, Italian access points.
NFT, Web3, and digital asset IP in Italy: MiCA Regulation, copyright misconceptions, smart contracts, art and music tokenization, AML compliance.
What Italian distributors check, key licence terms, ratings, the 90-day window and co-production rules: a guide for sales agents and producers.
Photography originality threshold under EU law: the Mankowitz/Hendrix Paris 2015 ruling, CJEU Painer framework, and implications for photographers.
Copyright protection for graffiti and street art under Italian and EU law: case studies including Dash Snow v McDonald's, originality, illegality, moral rights.








